This
summer I did my internship at the Havre de Grace Decoy Museum, a small museum
dedicated to the history and craft of duck decoys. These decoys were initially
used in hunting, but quickly evolved into their own folk art. They are
traditionally made of wood, but many were manufactured out of other materials
such as cork or cloth. Today, most decoys are made as decorative pieces, and as
a show of skill, rather than for practical use.
The museum itself is primarily
dedicated to the decoys produced in the Havre de Grace area, but does also
feature decoys from the broader Chesapeake region, as well as a few from further
reaches, such as Louisianna. Havre de Grace is located on the Susquehanna Flats,
a meeting spot of the Susquehanna River and Chesapeake Bay with a lot of
shallow water where lots of water celery used to grow (much of it has since
died because of algae blooms), making it a prime stop for migrating ducks.
Because of that, it also became a prime spot for duck hunting, and therefore
decoy making. The museum is dedicated not only to the display of past and
present decoy artists, but to the history of duck hunting in Havre de Grace and
beyond. It includes multiple exhibits showing the history and making of decoys,
the adaptation of hunting techniques over time, and the works of various decoy
makers.
My official title this internship was
Curatorial Intern. Though, with a museum this small, the title of “curator” includes
a very broad range of responsibilities. Working under the main curators Nathaniel
Heasley and Ginny Sanders, I was assisting in a variety of tasks including
mailing and filing loan renewals, cataloging and creating digital records for
donations and loans we received, setting up, cleaning, and repairing exhibits,
and checking in and directing visitors at the front desk. My main job was
working in setting up the new exhibit about African American decoy carvers in
the Chesapeake region. Overall, I learnt a lot about how museums, especially
small scale museums are run, funded, and upkept.



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