Francis
Patrick Fowler
Aug.6, 2020
Internship in History
Journal entry 3
Third Week at NAMA
Internship
About but not written on
Monday August.3
I
went back on top of the Jefferson Memorial! Wow! This time it was with four GIS interns and
four NCPE interns from Arlington National Cemetery. The group was too big to get up on the dome
like last time.
This
time we walked around the roof and then walked on the platform where repair
work is being made on two tiles that broke off and expedited the multi million
renovation. This time I got up and close
with some of the pillars and for the first time in my life actual saw
Jefferson’s bronze statue.
I
have really explored the space of the memorial.
And like most things I do in life I did it against convention in an
upside-down matter. I started from the
top of the dome one day. Then the next
day I walked on a platform on the middle of the dome overlooking Thomas
Jefferson’s statue and walking my way down to the bottom.
I
have not been on the ground floor yet. I
ought to get on that. In any event
hieratic scale, how a statue is positioned in comparison to the viewer, has
taken on a new meaning for me.
If
I had started like most people, I would be caning my head up at a 19-foot
five-ton statue and ask myself. “Was
this a good guy or a bad guy?” For the
first time I was towering over a statue and wondering what judgments and
analysis Thomas Jefferson was making of me.
T.J does not look quite as intimidating from up here
Interesting
talks during the tour were made about sound resonance tests in the
nineties. At certain times of day, the
sounds of planes, cars, ships ect cause vibrations to climb up the Jefferson dome
at the perfect pitch “like the tip of a dogs wagging tail”.
This
overtime caused much of the damage; sound can damage stone it appears. Another study showed that if the lights on
the Jefferson came on an hour after they normally do at night, this would
prevent bugs from hitting the memorial and causing further damage. The process
of the steam cleaning on the dome, the water sealing of the dome and the lazer
treatment on the dome’s biofilm were further talked about.
Then
we went underneath the Lincoln Memorial!
I did not know Lincoln had a basement!
It called the Undercroft.
Construction workers from 1914 to 1922 had to build a massive support
labyrinth going 40 feet below the monument. To find bedrock for the memorial’s
supporting concrete columns, a 43,800 square foot hole was dug in the marshy
Potomac flats.
After
they created the concrete and started on the marble monument above, many
workers drew cartoons and their names before sealing everything off. The undercroft was mostly ignored until sixty
years later in 1975. Limited tours to
the public were allowed from the seventies to the nineties but were completely
discontinued after 9/11.
Not
a lot of people get to see this! It
fascinated me! Underneath the memorial’s
staircase, there were stalactites from minerals leaking out of the concrete. Underneath Lincoln’s serene seat of white
marble and neoclassical grandeur, the concrete foundations had arches that
might not be gothic architecture; but they were some sort of wacky cousin. Brutalism is the closest architectural
movement I could place the undercroft.
Since it was never intended to be seen by anyone, I thought of a made up
a word. It looked like Functional/
Accidental Brutalism.
But
it was not scary or ugly. It was
beautiful in its secrecy and its lack of definition. Concrete cathedral was used by many in the
tour to describe it. This ambiguity
extended to the temperature and light of the undercroft’s environment.
Under
the pavers and staircase in the stalactite section, it was humid. But a step into the concrete cathedral that
held the monument cavern it was cool. It
was dark in the inner sanctum of the concrete columns. But walk out into the outer layer of the
cavern and natural light flowed.
In
observations of the Lincoln Memorial, you will see that the architecture
endears respect. The sign Infront of Webster French’s masterpiece reads “Please
be respectful and quite”. Fifty percent of visitors listen.
The
architecture in the undercroft gave me the impression that such a sign might
read “if your down here, you do you”.
There was a bra from the seventies tucked underneath the wooden walkway
of the stairwell section. Alongside 1920
graffiti, there is the more recent “This way out” painted in the concrete. “Dis vay out” is etched underneath it. A historic can of Fanta met us as we first
entered the complex.
In
public history and conservation work there is a push and pull between restoring
and letting things erode with some dignity, while presenting them to the public
in some form of shared authority. The
upcoming renovations of the undercroft seem to be an experiment in a new
field. The push and pull of preserving
and leaving alone what are and aught to me undignified in a form of shared
absurdity. But what a magnificent and
all inspiring absurdity.
I
am starting to see I am interested in overlooked sections of the built
environment that have been partly reclaimed by nature. I will remember it always a place to get a
bit of fresh air forty feet below a marsh.
Laughter, laughter, laughter at the bleakness of these times. A place of rest from a Pandemic and a
recharging for action against racial inequities.
As
we exited through doors that flowed into the Memorials small museum and gift
shop, someone commented not be left in or we would be Lincoln memorial’s
phantom. But what if I stayed behind for
decades living off left over Fanta. When
I met the next generation would they think of me in my now historic magnificent
and all inspiring absurdity?
There
is one distinction that I already want to do away with is the divide between
the Lincoln Memorial and the Lincoln undercroft: it is all the same to me. There will always be the knowledge there is
another phrase underneath the immortal.
In
this temple as in the hearts of the people for whom he saved the Union the
memory of Abraham Lincoln is enshrined forever.
Forty
feet below rest the words “I love chicken and waffles”. But I will go on the record I think Lincoln
would find them funny. He might agree
with my idea for the signage “If your down here you do you.” What a magnificent, all inspiring, and shared
absurdity.
About but not written on
Wednesday Aug. 5th:
A
delightful day. I spent it with the
Geographic Information Systems Interns identifying and assessing trees on the
National Mall. The three made me feel
welcome and it was awesome learning something new. I am mostly only good at identifying oak and
not-oak. However, I think a couple more
outings and I will get the hang of it.
On
a personal note, collaborating with other students today made me especially
happy. I have done teamwork with the
preservation crew, with the conservator and with contractors in this
internship. But this was the first time
since last March where I have worked with other students. The work reminded me
of field work that I almost did for a UMBC class last Spring.
I
took a Special projects class last semester where I was collaborating with a
team of UMBC students to write up a nomination for a site to be placed in the
National Register of Historic Places.
The group was small like the GIS interns with about six of us. This project was changed the day we were
going into the field due to Covid. We
made do. Through zoom calls and interviews made a great foundation for the next
group. But I missed that opportunity to
go out into the field with my classmates.
Neither
the special projects class nor the GIS field work were substitutes for each
other. I am still proud of the
adaptability of my classmates in March.
The experience of looking up a tree leaves and spray-painting markers
with three up standing people was a pleasure by itself.
Really
everything is linked. And having a nice
sunny day with trees, caterpillars, friendly people, and an obnoxious squirrel
helped remind me that there is no shame in connecting even the most loosely
connected of events. So long as a I enjoy
them for themselves too. Long story
short it was a beautiful day.